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The exhibition works from a transhistorical approach to materiality, ideas, and media, questioning how the past, present, and future can illuminate each other. Borrowing historical techniques, investigative strategies, and exhibition formats, such as the peepshow box (or rarekiek), the diafanorama, and 17th-century tapestry weaving, the works consider the obsolescence of media and its effect on knowledge and storytelling. The work of Cremers and Kraal reanimates these lost objects and their ability to communicate the questions of material, imaginative and cosmic knowledge. Of Gaia and Ouranos displays immersive installations and sculptures as well as a ‘living archive’ of inspirational imagery.
For the latter I have contributed substantially from my own archives of book-based footage and the online collection of the Public Domain Review. Altogether a selection of 262 images that have served (the artists) as inspirational imagery, or that just resonates all that’s in the spirit of ‘cosmic modesty’ are beamed in the basement – next to showcases that display a fine selection of books and (other) paraphernalia.
frank@vdstok.com
frank@radicalreversibility.org
instagram: @frankvdstok
vdstok.com / visualities.org / radicalreversibility.org